Showing posts with label Demons. Show all posts
Showing posts with label Demons. Show all posts

Saturday, March 14, 2020

Find your astrological Demon in this rare guide on Persian mysticism



In Princeton’s Department of Rare Books and Special Collections lies an illustrated manuscript on magic and astrology from Iran that includes 56 painted illustrations of demons and angels.

Demons, genies, and evil spirits permeate ancient occult traditions in Iran and neighboring countries. An early 20th-century Persian manuscript on magic and astrology held at Princeton’s Department of Rare Books and Special Collections provides a glimpse into this mystical world with dozens of watercolor illustrations of demonic, otherworldly creatures.

Dated to 1921, Kitāb-i ʻAjāʾib-i makhlūqāt (Wonders of Creation) includes an illustrated manuscript on magic and astrology, a book of spells listing incantation and talismans, and 56 painted illustrations of demons and angels. Several texts accompanying the illustrations in Arabic and Farsi are dated from 1911 to 1921.

A closing line at the end of the book suggests that it is composed of two main texts. It reads, “The book of the ‘Wonders of Creation’ and ‘The Seventy Two Demons’ have been completed.” It is not entirely clear which text is which, but Ali Karjoo-Ravary, an assistant professor at the Department of Religious Studies at Bucknell University in Pennsylvania, tells Hyperallergic that the illustrated book of demons is most likely the second.

“This text describes the different demons associated with each zodiac sign and the ailments associated with each and some remedies,” Karjoo-Ravary, who published a blog post about the manuscript in 2017, says.

The zodiac demons are introduced as a series of menacing (although somewhat endearing) beasts, some multi-headed. Each is depicted with cuffs on its clawed or hoofed limbs, suggesting that these creatures had been bound or confined.

Other illustrations show the monstrous demons in action, attempting to inflict harm on humans with inscriptions of spells and incantations in Farsi. These latter drawings, according to Karjoo-Ravary, describe ailments and the demons associated with them, together with instructions on how to exorcise them. For instance, one inscription instructs sorcerers to take a handful of soil from underneath the feet of the possessed person and repeat the following sentence seven times: “God of the heavens and the earth, hurry, hurry, bring back, bring back, bring back the love for virtue.”

By contrast, the manuscript also includes illustrations of winged angels like Michael and Gabriel, who are summoned to expel demons and malign spirits.

The author of the demonology book attributes his knowledge to the court of Biblical King Solomon, who was believed to possess power over demons and spirits. However, the author’s identity remains a mystery. “We don’t know much about this figure other than the fact that he wrote this book, that he had some artistic skill,” Karjoo-Ravary says.

The author signs the book as “Rammālbāshī, the son of Ja’far.” However, “Rammālbāshī” is not a name, but rather a profession derived from the Farsi word rammāl (healer, sorcerer).

“A rammāl was a type of occult expert to whom people would frequently turn in the event that they had problems that couldn’t be solved by normal means, such as sicknesses that appeared incurable,” says Karjoo-Ravary. “They could do many things, primarily divination (which their name alludes to), types of magic, breaking spells, exorcisms, spirit summoning.”

Persian demonology has a long tradition that predates Islam. The Shahnameh (“Book of Kings”), a 50,000 verse epic poem written by the Persian poet Ferdowsi, is teeming with descriptions of battles between humans, devils, and demons.

Practicing rammāls still exist in Iran, typically performing palm-reading, faith-healing, and exorcism, but they have been outcast to the fringes of society.

“Rammāls are ridiculed by a good chunk of society,” says Karjoo-Ravary. “The official clerical establishment is mostly against them and magic, and even recently conservative critics of Mahmoud Ahmadinejad [former president of Iran] accused him of associating with rammāls and magicians.”

In his book, The Iranian Metaphysicals: Explorations in Science, Islam, and the Uncanny, Islamic studies scholar Alireza Doostdar writes that secularizing officials and intellectuals in Iran of the early 20th-century disparaged rammāls as charlatans, and blamed them for Iran’s “backwardness” in comparison to the developed West on superstitious beliefs.

This negative attitude towards rammāls continued throughout the Islamic Revolution in Iran in 1979. Shi‘i clerics found the sorcerers’ use of the Islamic notions of the “world of the unseen” (Gheyb) and of genies (Jinn) as a threat to their spiritual hegemony.

And yet, these occult practices continue to thrive not just in Iran, but also in neighboring countries, according to Karjoo-Ravary. “Magic, the world of the jinn, demons, and exorcism are still around in most Muslim and other societies, even if they’ve been pushed into the peripheries by polite society.”

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Aquarius


Pisces


Thursday, October 24, 2019

Jinn: The Arab Spirits


Jinn: The Arab spirits who can eat, sleep, have sex, and die.

Arab poet Kuthayyir ‘Azzah of the Umayyad period (661–750) once described how he became a poet:

One day [...] a man on horseback came toward me until he was next to me. I looked at him. He was bizarre, a man made out of brass […]. He said to me, “Recite some poetry!” Then he recited poetry to me. I said: “Who are you?” He said, “I am your double from the jinn!”

That is how I started reciting poetry.

Jinn (often al-jinn or djinn) are shape-shifting spirits made of fire and air with origins in pre-Islamic Arabia. They are the inspiration for Aladdin’s genie, and have held space in Arab culture for almost as long as Arab culture itself. And yet, having transcended both religion and the physical world, so little is understood about the spirits.

Neither inherently good nor bad, Jinn are amorphous entities, able to take the shape of humans and animals alike. Their role in society, too, has been malleable: Jinn have served as a source of inspiration for both the most esteemed classical Arab poets in the first millenium and Disney in 1992 (jinni—aka genie—is the singular of jinn). Both before and after Islam’s introduction—which included mentions of jinn in the Qur’an—jinn have remained an inexplicable entity. “The orthodox scholars say you can’t understand jinn,” Arabic literature researcher Suneela Mubayi tells Broadly. Still, despite their mysterious nature, there are some things historians, Islamic scholars, and believers of jinn have come to discern about the spirits.

According to El-Zein, pagan Arabs (big believers in the occult) worshipped jinn long before Islam was introduced in the seventh century, believing that the spirits were masters of certain crafts and elements of nature who had the power to turn plots of land fertile. Jinn are believed to both interact with humans in our reality and lead their own lives in a separate realm. “As spiritual entities, the jinn are considered dual dimensional, with the ability to live and operate in both manifest and invisible domains,” El-Zein writes.

Jinn’s influence has been widespread both religiously and culturally in pre- and post-Islamic Arabia. They can talk or otherwise communicate with people, though some, like poets, are more likely than others to be hit up by a jinni. Ancient Arabs, known for their affinity for poetry, even coined the term sha’ir, meaning an Arabic literature poet who was “supernaturally inspired” by jinn, to designate poets like Kuthayyir ‘Azzah. “Poets in pre-Islamic Arabia often said they had a special jinni that was their companion,” says Mubayi. “Sometimes they would attribute their verses to the jinn."

In the early seventh century, when the Islamic Prophet Muhammed (SAWS) began spreading the word of the Qur’an, he shared multiple surahs, or verses, that mentioned jinn, including one named entirely after the spirits. 

Still, in both the past and present, stories of those possessed by jinn are not hard to find. Exorcisms, which can involve reciting the Qur’an over a person or, more rarely, physically beating the jinn out of them, are performed in some circles on those thought to be possessed by jinn (despite being condemned by mainstream Muslims). People who partake in the latter believe that the pain is not felt by the person who the jinni occupies, but the jinni themself. And while reading the Qur’an is a popular exorcism method, Jinn’s links to possession predate Islam. “The Arabs of pre-Islam invented a whole set of exorcism procedures to protect themselves from the evil actions of the jinn on their bodies and minds, such as the use of beads, incense, bones, salt, and charms written in Arabic, Hebrew, and Syriac, or the hanging around their necks of a dead animal’s teeth such as a fox or a cat to frighten the jinn, and keep them away,” writes El-Zein. In Arabic, the word majnun—meaning possessed, mad, or insane—literally means “to be possessed by a jinni.”

Despite stories of possession, Jinn are remarkable in their propensity towards neither good or evil. In Christianity, demons and evil spirits appear as entities carrying out Satan’s maleficent wishes, but neutral spirits like the jinn have no place. El-Zain believes that jinn have been robbed of the scholarly devotion they deserve, in part because they complicate the narrative of monotheism, what it means to believe in “the existence of intelligent spiritual entities without necessarily demonizing them.” Jinn—different than both angels and the devil—oscillate between good and evil, making them all the more relatable. They can be pious, they can help us, or they can hurt us, as shown in folktales from One Thousand and One Nights (commonly known in English as Arabian Nights). In one of these tales, “The Fisherman and the Jinni”—the inspiration for Disney’s Aladdin—a fisherman pulls a bottle out of the sea. When he opens it, a jinni appears. Angry to have been trapped in the bottle for centuries, the jinni tells the fisherman their plan to kill him. But after the two exchange stories, the jinni changes their mind, instead bestowing the fisherman with a life of good fortune.

Fluid in form and interpretation, jinn not only possess and converse with us, but they can also fall in love (or in bed) with humans. Pre-Islamic poet Ta’abbata Sharran once wrote about sleeping with a jinniyah (feminine form of jinn) in a poem called “How I Met the Ghul”.

According to El-Zein, the ability or desire to have sex isn’t all jinn have in common with humans. Like us, “jinn eat, drink, sleep, procreate and die,” she says, though their mortal lives can extend for thousands of years. And yet, while we can relate to the spirits on many levels, the consensus remains that we cannot fully comprehend jinn—though we can try.

Via: vice.com



Friday, March 31, 2017

Pseudomonarchia Daemonum: The False Hierarchy of Demons


Pseudomonarchia Daemonum, or Hierarchy of Demons first appeared as an appendix to Johann Weyer's first book about demonology and witchcraft, De Praestigiis Daemonum et Incantationibus ac Venificiisi (1577), and was said by the author himself to have been inspired by an earlier text discussing spirits and demons. Yet, it is Weyer's work—not his predecessor's—that came to be known by renowned psychoanalyst Sigmund Freud as "one of the ten most significant books of all time."

The title of the book translates roughly to "false monarchy of demons".

The book dictates the names of sixty-nine demons, and the appropriate hours and rituals to conjure them.

The purpose of this subsequent book is to act as a grimoire, also known as a spell book, to provide the reader with important facts about demons that might be summoned, such as what they look like or what abilities they might possess.

Image taken from the book
Pseudomonarchia Daemonum

Weyer's Pseudomonarchia Daemonum ended up an inspiration itself, leading to the writing of The Lesser Key of Solomon in which one section, called Ars Goetia, contains a list of demons evoked by the ancient King Solomon.

There are some differences. The Ars Goetia lists seventy-two demons (4 more demons), and the order of the spirits varies, as well as some of their characteristics. 

The demons Vassago, Seere, Dantalion and Andromalius are not listed in the Pseudomonarchia Daemonum, while Pruflas is not listed in The Lesser Key of Solomon. Weyer censored the text, omitting necessary parts of the rituals and the more powerful demons, like Lucifer, in order to protect readers from their own curiosity.

Also, the Pseudomonarchia Daemonum does not attribute seals to the demons, as The Lesser Key of Solomon does.

Weyer referred to his source manuscript as Liber officiorum spirituum, seu Liber dictus Empto. Salomonis, de principibus et regibus daemoniorum. (Book of the offices of spirits, or the book called 'Empto'. Solomon, concerning the princes and kings of demons). This work is likely related to a very similar 1583 manuscript titled The Office of Spirits, both of which appear ultimately be an elaboration on a fifteenth-century manuscript titled Le Livre des Esperitz (of which 30 of its 47 spirits are nearly identical to spirits in the Ars Goetia). 

You can find the Pseudomonarchia Daemonum, The Ars Goetia, and the Grimorium Verum on the left side bar of our site.


Also read:

Thursday, July 14, 2016

10 Ancient books that promise supernatural powers

Humankind has long dabbled in the supernatural, lured by the promise of obtaining power and enlightenment. Several texts have been devoted to this practice, outlining complicated and mysterious rituals that were presented as the key to achieving communion with otherworldly spirits.

10. Greek Magical Papyri


The Greek magical papyri from the second century B.C. listed spells, rituals, and divinations. These included instructions for how to summon a headless demon, open doors to the underworld, and protect yourself from wild beasts. Perhaps most tantalizing of all, they describe how to gain a supernatural assistant, an otherworldly entity who does your bidding.

The most commonly found spells in the Papyri are divination spells—ceremonies that offer you visions of the future. One of its most well-known passages provides instructions for how to forecast upcoming events using an “iron lampstead,” “an offering of frankincense,” and an “uncorrupted and pure” child. After being placed into a deep trance, the child sees images flickering in the flame.

Among the Papyri’s most famous components is the Mithras Liturgy. This ceremony describes how to ascend through seven higher planes of existence and communicate with the deity Mithras.


9. The Black Pullet



Originating in France in the 18th century, The Black Pullet focuses on the study of magical talismans, special objects engraved with mystical words that protect and empower the wearer. It was reportedly written by an anonymous officer in Napoleon’s Army, who claimed to have received the contents from a mysterious mage while on expedition in Egypt.

The Pullet includes detailed instructions for how to construct talismans out of bronzed steel, silk, and special ink. Among these invocations is a spell to call upon a djinn, a creature made of smoke and fire who will bring you true love. If your ambitions are slightly more cynical, then the Pullet also provides talismans that will force “discreet men” to tell you their secrets, allow you to see behind closed doors, and destroy anyone who is plotting against you.

The apex of the book’s mystical teachings is acquiring the Black Pullet itself—a hen that can find buried treasure.



8. Ars Almadel


The Ars Almadel is Book Four of the Lesser Key of Solomon, also known as the Lemegeton, a significant grimoire of demonology compiled in the 17th century by an unknown author. This particular book of the Legemeton provides a blueprint for constructing an Almadel—a magical wax altar, somewhat like a ouija board, that allows you to communicate with angels.

The Almadel is composed of four Altitudes, or “Choras,” each of which corresponds with a unique set of angels with different domains. The text provides the names of the angels of each Chora (Gelomiros and Aphiriza, for example), the proper way to direct your requests to them (ask only what is “just and lawful”), and the best calendar dates for invoking them. It also includes brief physical descriptions of these angelic manifestations. The Angels of the Third Chora, for example, come in the form of “little women dressed in green and silver” wearing crowns made of bay leaves.



7. Picatrix


The Picatrix is an ancient grimoire of astrological magic. Originally written in Arabic and titled the Ghayat Al-Hakim, it dates back to the 11th century and spans a mammoth 400 pages of astrological theory. Alongside are spells and incantations to channel the occult energies of planets and stars to achieve power and enlightenment.

The Picatrix is perhaps most notorious for the obscenity of its magic recipes. These gruesome and potentially deadly concoctions are designed to induce altered states of consciousness and out-of-body experiences. Not for the faint of the heart, their ingredients include blood, bodily excretions, and brain matter mixed with copious amounts of hashish, opium, and psychoactive plants. To construct a mirror that gives you power over the dead, for example, you must use noxious fumes of “blood, sperm, spit, ear wax, tears from the eyes, feces, and urine.”



6. Galdrabok


An Icelandic grimoire that originated in 16th century, the Galdrabok is a collection of 47 spells compiled by multiple magicians. Like most Icelandic magic of the period, the Galdrabok relies heavily on staves—runes that have magical properties when carried on the body, carved on objects, or written out. Among the staves drawn in the Galdrabok are ones to attract and curry the favor of powerful men, incite fear in your enemies, and put someone to sleep.

The majority of the spells found in the Galdrabok are “apotropaic spells,” benign remedies designed to protect the practitioner and heal various maladies. These include tiredness, difficulty with childbirth, headaches, and insomnia.

Other spells are pretty peculiar in nature. Spell 46, the hilariously titled “Fart Runes,” is a stave that will strike your enemy with “bad gas . . . and all of these will plague thy belly with great farting . . . may thy farting never stop.” Some are downright sinister. Spell 27, for example, when drawn on someone’s food, will make them sick and unable to eat all day, while Stave 30 is designed to kill another person’s animal. There are also staves to prevent your house from unwanted visitors, catch thieves, and “get satisfaction in a legal case.”


5. Arbatel De Magia Veterum


Composed late in the 16th century by an unknown author, the Arbatel de magia veterum is a comprehensive handbook of spiritual advice and aphorisms. The Arbatel reads much like a mystical self-help book, stressing the importance of Christian godliness, productivity, positive thinking, and using magic to help instead of harm. Its kernels of wisdom include “live for yourself and the Muses; avoid the friendship of the multitude” and “flee the mundane; seek heavenly things.”

The Arbatel reveals a series of rituals to invoke the seven heavenly governors and their legions, who rule over the provinces of the universe. The governors include Bethel, who brings miraculous medicines, Phalec, who brings honor in war, and Aratron, who “maketh hairy men.” However, the ability to perform these rituals is only for a person who is “born to magic from his mother’s womb.” All others, the Arbatel warns, are powerless imitators.

In addition to angels and archangels, the Arbatel mentions a coterie of other helpful elemental spirits that exist beyond the veil of the physical world, including pygmies, nymphs, dryads, sylphs (tiny forest people), and sagani (magical mortal spirits that inhabit the elements).



4. Ars Notoria


A Solomonic grimoire compiled in the 13th century, the Ars Notoria does not contain any spells or potions. It focuses instead on the acquisition of learning, the command of memory, and gaining insight into difficult books.

The Ars Notoria promises practitioners the mastery of liberal arts—geometry, arithmetic, and philosophy among them—through a lengthy daily process of visualization, contemplation, and orations. Through these orations, you can beseech God for intellectual gifts, including eloquence, heightened senses, wisdom, and perfect memory.

As a book concerned primarily with enlightenment, the Ars Notoria eschewed some of the more malevolent aspects of magic. However, not everyone was convinced of its benign nature. One notable 14th-century monk, John of Morigny, devoutly followed the teachings of the Ars Notoria and had haunting visions, until he claimed that the visions themselves were demonic in nature. He warned people of the diabolical nature of the Ars Notoria in his own mystical manuscript, the Liber Visonum.



3. Pseudomonarchia Daedonum


The Pseudomonarchia Daedonum was written by famed 16th-century physician and demonologist Johann Weyer, who was greatly inspired by his former teacher, celebrated German occultist Heinrich Cornelius Agrippa. It is the appendix to his seminal work against the persecution of witchcraft, the Praestigiis Daemonum, hailed by Sigmund Freud as one of the most important books of all time.

The Pseudomonarchia Daedonum is a catalog of 69 noble demons—prominent members of Hell’s monarchy—their specialties, and the methods of conjuring them. Naberius, for example, is a marquess who comes in the form of a crow and “maketh a man amiable and cunning in all arts.” Foras is a president who “recovereth lost things and discovereth treasures.” Other members of the demonic aristocracy include Haagenti, who can turn water into wine, Shax, who steals horses and robs people’s sight and hearing, and Eligos, who can see the future of wars and the fates of soldiers.

Weyer, however, was a devout Christian who approached the prospect of conjuring these Hell-bound spirits with great caution. He omitted key details of the rituals and warned those who read the Pseudomonarchia against imitating this “proof of folly.”


2. Sworn Book Of Honorius


Also known as the Liber Juratus Honorii, the Sworn Book of Honorius is a medieval grimoire and defense of ritual magic rumored to be the work of Honorius of Thebes, a mysterious, possibly mythological figure who has never been identified. The book begins with a scathing criticism of the Catholic church. The Church, a staunch enemy of the dark arts, has been corrupted by the devil, whose goal is to doom humanity by ridding the world of the benefits of magic.

The Sworn Book makes lofty demands of its practitioners. Only three copies of the book can be made, anyone in possession of the book who cannot find a worthy magician to inherit it must take it to their grave, and all adherents must “utterly forbear the company of women.”

Like many other grimoires, its rituals focus largely on summoning angels, demons, and other spirits to gain knowledge and power. By repeating long-winded orations, the practitioner is promised a wealth of scintillating abilities. These powers range from the awesome (causing floods and destroying kingdoms) to the eerie (seeing into purgatory and knowing the hour of your death). Among its most malign spells are ones to “to cast sickness into whom you will,” “to cause discord and debate,” and “to kill whom you will.”


1. The Book Of Abramelin The Mage


Written in the 15th century, the Book of Abramelin the Mage is one of the most prominent mystical texts of all time. It is the work of Abraham von Worms, a Jewish traveler who purportedly encountered the enigmatic magician Abramelin during a voyage to Egypt. In exchange for 10 florins and the promise of piety, Abramelin gifted this manuscript of magic to Abraham, who then passed it on to his son Lamech.

Abramelin’s ritual, referred to as “the operation,” is an arduous one. It consists of 18 months of prayer and purification, which is only recommended for men of sound health between the ages of 25 and 50. Women in general are discouraged from undertaking “the operation” because of their “curiosity and love of talk,” although an exception can be made for virgins. If the tenets of “the operation” are adhered to strictly and with unwavering devotion, you get in touch with your Holy Guardian Angel, who will grant you a wealth of powers. These powers include necromancy and divination, precognition, control of the weather, knowledge of secrets, visions of the future, and the ability to open locked doors.

The book relies heavily on the power of magic squares—unique words arranged into puzzles. Like the Icelandic staves in the Galdrabok, these squares contain mystic and occult properties when written out. The word “MILON,” for example, reveals the secrets of past and future when written on parchment and placed over the head, while “SINAH” brings war. The author warns that some magic squares, like “CASED” are too sinister to ever implement.

This text had a profound impact on famed occultist Aleister Crowley, who claimed to have experienced several supernatural occurrences after embarking on the ritual, and on the Hermetic Order of the Golden Dawn, a 19th-century British magical order. Crowley later used the book as the foundation for his own system of magic.


You can find the books on the left and right bars of this blog.